!\---------------------------------------------------------------------------
	STUART.HUG
	Stuart Fina's character (plus his receptionist)
	for Guilty Bastards by Kent Tessman (c) 1998

	(Included by "gb1.hug")
---------------------------------------------------------------------------\!

global shown_note	! true if Stuart has been shown the folded note

character stuart "Stuart"
{
	inherits NPC
	in stuartsoffice
	nouns "stuart", "fina", "stu"
	adjective "stuart", "stu"
	parse_rank 1		! prefer to other objects
	long_desc
	{
		if self.disposition = 2
			"Stuart looks ready to kill.  You, that is."
		else
			"Stuart is a young guy, maybe only twenty-seven or
			twenty-eight.  His look is carefully constructed:  he
			sports a trendy Van Dyke beard to show the artists 
			he's not a suit, and a crisply pressed white shirt
			and red power-tie to show the suits that the Van Dyke
			is just camouflage."
	}
	graphic
	{
		! Stuart's picture is a little too happy if he's currently
		! trying to kill the player:
		if self.disposition = 2
			return 0
		else
		{
			current_resource_file = IMAGES1
			current_resource = "stuart"
			return -1
		}
	}
	short_desc
	{
		if self.disposition = 2 and location ~= reception
			"Stuart Fina is here, eyes flaring with anger--the
			homicidal kind."
		else
			"Stuart Fina is here in the reception area as well."
	}
	knows_about_photos false
	disposition 0		! 0 = normal, 1 = leaving the office
				! 2 = ready to kill player over the folded
				!     note
	ignore_response
	{
		select self.disposition
		case 1
			"\"Sorry, I'm in a bit of a rush here,\" Stuart
			says."
		case 2
			"Stuart's presently trying to kill you.  The time
			for niceties is probably past."
	}
	after
	{

!------------------
! DoAsk responses:
!------------------

		object DoAsk
		{
			select xobject
			
			case cindy
				"\"Yeah, well, geez...\"  Stuart trails off,
shaking his head.  \"God, I really don't know what to say...I mean it's 
terrible, absolutely terrible.  She had such a bright future.  She was going 
to be a huge star.  Her picture, the one she was doing with us--it's going
to be a \Ihit\i.  A huge hit.  When people see it they're going to think about
James Dean and Marilyn Monroe and all wonder 'What if...?'\""
			
			case murder
				"\"Who do you think did it?\" Stuart asks.  \
\"Who would've wanted to kill her?  Was she caught up with something \
illegal?  Or was she...was she in some kind of love triangle...?\""
			
			case photos
			{
				if not self.knows_about_photos
					"Stuart looks shocked.  \"I have no
					idea what you're talking about.  Are 
					you sure?\""
				else
				{
					"\"You found them,\" he says.  \"I
don't know anything about them.  That's pretty scandalous.\"";
					if not shown_note
						"  Then, out of the blue:  \
						\"Did they come with a note or 
						anything?\""
					print newline
				}
			}
			
			case foldednote
				"\"I really have no idea what that is.\""
			
			case cindysmovie
				"\"Oh, it's going to be a big, big hit.  It's 
testing through the roof--test audiences are just loving it.  Cindy's perfect
in it:  this sweet, adorable girl plotting all these terrible ways to kill her 
cheating lover.\"  Stuart sighs heavily.  \"It just makes what happens to 
Cindy that much sadder...that much more of a tragedy.\""

			case milt
				"\"Milt?  I idolize Milt,\" Stuart says.  \
\"You know what he is in this business?  The godfather.  The king.  Milt
talks and people don't even question it.  If there's one guy you don't want
to look like an idiot in front of it's Milt Walker.\""

			case anne
				"\"Oh, Anne here?\" Stuart asks, looking right
at her.  \"Isn't she just the best?\"  He smiles at her; she manages to
weather it.  Then, as an aside to you, he adds:  \"Her uncle's one of our
major shareholders.\""

			case billy
			{
				if billy in location
					"Stuart looks over at Billy, and
					says quietly to you:  ";

				if not self.knows_about_photos
					"\"I don't know anything about him.\""
				else
					"\"Well, if this ever gets out, he's
gonna be more famous as a guy who gave the sticks to Holly Golden than he
ever would've been as a funk musician.\""
			}

			case holly
			{
				if self.knows_about_photos
				{
					"\"I just can't believe a star of her
stature would get busted getting photographs taken of her getting tended to
by the pool boy.  Or some musician nobody's ever heard of.  Whatever.\"  \
Stuart shakes his head.";
					if billy in location
						"  Then, realizing the 
poolboy is standing right there, he says to Billy:  \"Well, generally 
speaking, of course.  I'm sure lots of people have heard of you.\""
					print newline
				}
				else
					"\"Holly Golden was the hot thing
for quite a while,\" Stuart tells you.  \"But, you know, people always want
a new hot thing.  She even tried for the role in \IHugs and Kisses\i, but
we went with Cindy Painter.\""
			}
			
#ifset INCLUDE_OTHER_CHARACTERS
			case johnny
				"\"I've never worked with him.  But if he
				keeps making movies that make money, I 
				wouldn't mind.\""
#endif
			case chuck
				"\"He's Cindy's agent.  He was, I mean.  I
				never really had any dealings with him.\""
			
			case else
				return false
		}

!-------------------
! DoTell responses:
!-------------------

		object DoTell
		{
			select xobject
			
			case photos
			{
				if self.knows_about_photos
					"\"What about them?\" Stuart asks."
				else
					"Stuart looks surprised.  \"What?  Are
					you kidding?  I mean, you haven't seen 
					these, have you?\""
			}
			case else
				return false
		}
		
!-------------------
! DoShow responses:
!-------------------

		xobject DoShow
		{
			select object
			
			case photos
			{
				if self.knows_about_photos
					"\"Yeah, you already showed those to
					me,\" Stuart says."

				! Showing the photos to Stuart sets him off:
				else
				{
				  "Stuart's eyes widen.  \"I can't believe 
				  that.  I mean...where did you get those?\""
				  self.knows_about_photos = true
				  Deactivate(stuart_leaving)
				  Activate(stuart_getting_evidence, 10)
				  if not stuart.disposition
				  	stuart.disposition = 1
				}
			}
			
			case foldednote
			{
				if not self.knows_about_photos
					"Stuart's eyes widen momentarily.  \
\"And, what, this was with some pictures or something like that?\" he asks."
				else
				{
					"Stuart's eyes widen momentarily.  \
					\"I see,\" he says.  \"Interesting.\""
				}
				
				! Given this evidence against him (plus the
				! photos), Stuart's ready to kill the player
				self.disposition = 2
			}
			case else
				return false
		}
	}
	is known
}

! Not really a "room" since the player can never go there, but at least
! we can check if Stuart is in his office:
room stuartsoffice "Stuart's office"
{}

vehicle stuartscar "Stuart's Mazda"
{
	nouns "car", "vehicle", "automobile", "mazda", "convertible"
	adjective "sports", "mazda", "red", "sporty"
	parse_rank 1	! prefer to other cars in the parking lot,
			! as well as to cartrunk for "mazda"
	long_desc
		"It's a sporty red Mazda convertible--the kind of car that
		a younger executive drives before he or she steps up to a
		Porsche or Jaguar or something like that.  Other than that,
		it's unremarkable, with the normal convertible touches, 
		included a folded-down ragtop and a trunk too small to be
		useful."
	short_desc
		"Stuart Fina's Mazda is parked in front of the side building."
	before
	{
		object DoEnter, DoOpen
		{
			"I'd keep out if I were you.  People generally don't
			take kindly to finding a stranger in the car."
		}
	}
	is openable
}

component cartrunk "trunk of the Mazda"		! 'special' once opened
{
	part_of stuartscar
	nouns "trunk", "boot", "mazda"
	adjectives "trunk", "boot", "car", "mazda's"
	article "the"
	long_desc
	{
		CThe(self)
		print " is ";
		if self is open
			"open."
		else
			"closed."
	}
	key_object -1	! no key
	before
	{
		object DoUnlock
		{
			"You don't have a key for Stuart's trunk.";
			if self is not locked
				"  But on the other hand, it doesn't look 
				too tightly shut."
			else
				print newline
		}
		object DoOpen
		{
			if billy in location
			{
				"Billy looks at you, shocked.  \"You're
				breaking into some guy's car now?\"\n"
				Activate(billy_freaked, 2)
			}
			
			if self is locked
				"You try to open the trunk.  It seems
				loose, like something's not locking
				properly, but you still can't seem to
				get it open."
			else
				return false
		}
	}
	after
	{
		object DoOpen
		{
			if self is not special
				"(There must be something wrong with the 
				lock:  you're able to pop the trunk open
				without a key.)\n"
			self is special
			return false		! normal message
		}
	}
	holding 0
	capacity 40
	is openable, locked, lockable, container
}


!----------------------------------------------------------------------------
! stuart_arriving
! stuart_leaving
!
! For managing Stuart's comings and goings:

fuse stuart_arriving	! 'special' if not running for the first time
{}

event in stuart_arriving
{
	if location ~= reception
	{
		Deactivate(self)
		return
	}
	
	if not self.tick
	{
		event_flag = true
		"\nStuart Fina appears from somewhere down the hallway.";
		if self is not special
		{
			"  He obviously doesn't recognize you, but he manages
			to greet you with one of those practised smiles that
			suggests you're the best thing that's happened to him
			all day.  \"Hi there.  Stuart Fina.\""
			self is special
		}
		else
			"  He smiles a \"You, again\" smile.  \"Oh, you 
			again,\" he says."
		move stuart to reception
		
		stuart_leaving.misc = counter
		stuart_leaving.timer = 0
		Activate(stuart_leaving)
	}
}

daemon stuart_leaving
{
	misc 0		! what time he came out
	timer 0		! how long since the player left reception
}

event in stuart_leaving
{
	if location = reception
	{
		self.timer = 0

		! If Stuart's been out in reception for half an hour
		if counter - self.misc > 30
		{
			event_flag = true
			"\nStuart looks at his watch.  \"If you'll excuse
me,\" he says, \"I do have some work to do.\"  With a smile he slips back
down the hall toward his office."
			move stuart to stuartsoffice
			Deactivate(self)
		}
	}
	else
	{
		! Stuart will normally wait 5 minutes after the player has
		! left before leaving himself
		if ++self.timer = 5
		{
			move stuart to stuartsoffice
			Deactivate(self)
		}
	}
}


!----------------------------------------------------------------------------
! stuart_getting_evidence
!
! To manage Stuart sneaking around after being shown the pictures, getting
! ready to bolt with the evidence:
!
!	- goes outside
!	- parks his car outside the side building
!	- goes inside, then comes out, puts negatives and report in trunk
!	- IF player is not absent, we run through the bit where he's
!	  forgotten something and must go back in
!

fuse stuart_getting_evidence
{}

event in stuart_getting_evidence
{
	local t
	
#ifset DEBUG
	! This comes in very handy for debugging where Stuart is at any
	! given time as opposed to where he's supposed to be:
	if debug_flags & D_FUSES
	{
		"[Stuart in:  ";
		print parent(stuart).name; ", timer="; number self.timer; "]"
	}
#endif

	if stuart.disposition = 2 and	! i.e., murderous
		player in sidebuilding
	{
		"\nSuddenly Stuart appears.  It's really, really like
		something out of a dream or a movie, the way he pulls a
		gun out of his coat and in one quick motion points it at
		you and pulls the trigger.";
		PlayMusic(MUSIC_STOP)
		PlaySound(SOUNDS1, "gunshot")
		"  And as for anyone who says
		that getting shot is not what you'd expect, that it's like
		some sort of tugging, a strangely dull impact--they're full 
		of crap.  It hurts like a sonofabitch.";
		if billy in location
		{
			"  Billy doesn't get away, either.  Even a heartfelt
			\"Hey, man, don't shoot me...\" isn't enough to save
			him.  So now you're responsible for a dead funk
			musician, too."
		}
		print newline
		"\nThe question crosses your mind as to how the hell this guy
		expects to make it off the studio lot, running away from the
		scene of a shooting with smoking gun in hand.  But then you're
		struck by the more important realization that, you know, it
		really doesn't matter.  They say death is hard on those left
		behind, but Stuart seems to be doing okay.  On the other 
		hand--"
		
		endflag = 2		! dead
	}

	t = self.tick
	
	if t > 6		! doesn't do anything for first few minutes...
	{
		! ...unless the player leaves, in which case we cheat 't'
		if player not in reception
			t = 7
		return
	}
	
	select t
	case 6
	{
		if player in reception
		{
			event_flag = true
			"\nStuart looks at his watch.  \"Oh, you know what?  \
			I'm forgetting a meeting.  Would you excuse me?  \
			Anne, let anyone who calls know I've gone out to a
			meeting.\"  He smiles and heads outside."
		}
		elseif player in sidebuilding
		{
			event_flag = true
			"\nStuart Fina comes out of the side building,
			heading for the parking lot.  He smiles hurriedly.  \
			\"Off to a meeting,\" he says before he disappears."
		}
		elseif player in behindtree
		{
			event_flag = true
			"\nYou can see Stuart Fina come out of the side 
			building and disappear in the direction of the 
			parking lot."
		}
		remove stuart
	}
	
	case 3
	{
		if player in reception
		{
			event_flag = true
			"\nStuart comes back in.  He nods a quick hello to
			you and heads for his office."
		}
		elseif player in sidebuilding, behindtree
		{
			event_flag = true
			if player in behindtree
				"\nFrom your vantage point behind the tree,
				you can see Stuart as he";
			else
				"\nStuart";
			" drives up to the side building in his sporty Mazda 
			convertible.  He gets out";
			if player in sidebuilding
				", nods a quick hello to you,";
			" and goes inside."
		}
		move stuart to stuartsoffice
		move stuartscar to sidebuilding
	}
	
	case 0
	{
		if player in reception
		{
			event_flag = true
			"\nStuart comes out of his office again, rolling
			his eyes in mock self-chastisement, saying something
			about how forgetful he is, shame on him, and then he's
			disappeared outside."
:RemoveStuart
			remove stuart
			remove stuartscar
			return
		}
		elseif player in sidebuilding
		{
			event_flag = true
			"\nStuart comes out of the side building again.  He
			looks surprised to see you.  He hesitates noticeably
			for a second, then--after practically slapping his
			forehead--mumbles about forgetting something and goes
			back inside."
			Activate(self, 3)	! i.e., reactivate it
		}
		elseif player in behindtree
		{
			event_flag = true
			"\nPeeking out from behind the tree, you can see
			Stuart as he comes out of the building and goes to
			his car.  He puts something in the trunk and closes
			it.  Then he suddenly looks like he's remembered
			something.  He looks around, doesn't see anybody--\
			including you--and quickly decides to go back 
			inside."
			
			move stuart to stuartsoffice
			move screeningreport to cartrunk
			move negatives to cartrunk
			cartrunk is not locked
			Deactivate(self)
			Activate(stuart_escaping_with_evidence, 6)
		}

		! i.e., if player is nowhere around
		else
			jump RemoveStuart
	}
}


!----------------------------------------------------------------------------
! stuart_escaping_with_evidence
!
! To manage Stuart either escaping with the evidence, catching the player
! going through his trunk, or driving away (after the player has recovered 
! the evidence):

fuse stuart_escaping_with_evidence
{}

event in stuart_escaping_with_evidence
{
	! When time runs out, Stuart comes back out of the building for
	! the last time
	if not self.tick
	{
		if player in sidebuilding and cartrunk is not open
		{
			event_flag = true
			"\nStuart comes out of the side building, making
			a beeline for his car.  \"Excuse me,\" he says curtly
			before getting in, starting the car, and speeding
			off."
		}
		elseif player in sidebuilding and cartrunk is open
		{
			"\nStuart comes out of the side building and sees
			the trunk of his car open.  His mouth opens.  He sees
			you standing there.  \"Son of a \Ibitch\i!\" he
			mutters--\n"
			PlayMusic(MUSIC_STOP)
			PlaySound(SOUNDS1, "gunshot")
			"--and pulls out a \Igun\i!  He aims it at you, of 
			course.  And then he pulls the trigger.  A searing
			pain in your stomach.  Another shot.  Blood on your
			hands, your blood, you're wondering just how the hell 
			he's going to explain this to the cops and then it 
			doesn't particularly matter because it all goes dark."

			endflag = 2	! dead
		}
		elseif player in behindtree
		{
			event_flag = true
			"\nFrom behind the tree, you can see Stuart come out 
			of the side building, making a beeline for his car.  ";
			if cartrunk is not open
				"He gets in, starts it up, and speeds off."
			else
				"When he sees that the trunk is open, you can
				tell even from here that he's about to have a
				panic attack.  He looks around, sees no one--\
				then quickly seems to decide to get into the
				car and take off."
		}
		remove stuart
		remove stuartscar

		! If the player has moved any of the evidence in Stuart's
		! trunk, Stuart is going to track the player down and rack
		! up a second murder
		!
		if screeningreport not in cartrunk or 
			negatives not in cartrunk
		{
			! If the trunk is closed, Stuart won't notice the
			! player's theft until almost an hour later:
			if cartrunk is not open
				Activate(stuart_poaching, 55)
			else
				Activate(stuart_poaching, 25)
				
			! And just in case anybody's doing tests to see if
			! Stuart is omniscient and omnipotent, make things
			! at least look a little random:
			stuart_poaching.timer += random(10)
		}
	}
}


!----------------------------------------------------------------------------
! stuart_poaching
!
! Lying in wait for player, waiting to rack up a second murder.

daemon stuart_poaching
{
	timer 0
	misc 0		! used for monitor situation in Cindy's living room
}

event in stuart_poaching
{
	stuart.disposition = 2
	stuart is unfriendly
	
	! Start the "final-sequence" music
	if self is not special
	{
		PlayMusic(MUSIC1, "z3-galim", true)
		soundtrack_stage = 2
		self is special
	}
	
	! The reason this is a daemon instead of a fuse is that we want it
	! to keep running after self.timer hits zero--a fuse will 
	! automatically deactivate.  Essentially this is a "delayed daemon".
	if self.timer
	{
		--self.timer
		return
	}
	
	select location

#ifset PART2
	case wilshire
	{
		"\nSuddenly Stuart Fina steps out from behind two parked 
		cars.  More importantly, he's got a gun.";
		if billy in location
			"\"Cripes!\" Billy says.";
		"  Stuart doesn't say anything; he aims the barrel of the gun
		at you, and as you're lifting your hands and opening your
		mouth to explain--\n"
		PlayMusic(MUSIC_STOP)
		PlaySound(SOUNDS1, "gunshot")
		"--\Ihe shoots you\i.";
		if billy in location
			"  Then he turns the gun on Billy, who falls with a
			shout as the shot catches him.  The two of you lie
			there, dying mostly, and finally Stuart speaks:  ";
		else
			"  You lie there, looking up at Stuart, wanting more
			than anything to close your eyes and rest for a
			minute, dying mostly, and finally Stuart speaks:  ";
		"\"Knew I'd find you sneaking around.  Maybe this'll help you 
		mind your own business, \Idetective\i.\"  Guess it probably 
		will."
		
		endflag = 2		! dead
	}
	
	case malibu
	{
		"\nSo as you're there by the side of a quiet road winding up
		into the Malibu hills, it's almost fitting that Stuart Fina
		should appear.  With a gun.";
		if billy in location
			"  \"Holy crap,\" Billy says.";
		"  Stuart points the gun at you.  \"I thought you'd find your
		way up here,\" he says, \"You're pretty dumb for a 
		detective.\"  And then, as if putting you out of your misery,
		he shoots you twice.";
		PlayMusic(MUSIC_STOP)
		PlaySound(SOUNDS1, "gunshot")
		if billy in location
			"  (He shoots the nearest funk musician, too, for good 
			measure--and much to Billy's dismay.)"
		"  \"And stay out of my trunk,\" Stuart says."
		
		endflag = 2		! dead
	}
	
	case overlookingbeach
	{
		"\nStuart Fina suddenly steps into view from the north.  And
		he's got a gun.  \"I've been waiting for you, \Idetective\i.  \
		I figured you were behind the two-bit raid on my trunk--\"  \
		As punctuation, almost in place of a period at the end of that
		sentence, he pulls the trigger.";
		PlayMusic(MUSIC_STOP)
		PlaySound(SOUNDS1, "gunshot")
		"  Basically, what you do is you sit down, your legs crumpling
		under you.  So Stuart shoot you again.";
		if billy in location
		{
			"  It's about this time that Billy turns to run, 
			muttering \"Holy holy holy...\"--but Stuart sends a
			bullet his way, too, catching him off-balance.  The 
			sight of Billy pinwheeling over the railing and down 
			to the beach below would almost be funny in that Mel 
			Brooks sort of way if it wasn't for the fact that the 
			two of you are well on your way--"
			PrintFootnote(25)
		}
		print newline
		
		endflag = 2		! dead
	}
#endif	! ifset PART2

	case cindysapartment, kitchen
	{
		event_flag = true
		select self.misc	! i.e., stage of confrontation
		case 0
		{
			move stuart to kitchen
			
			if player in cindysapartment	! living room
			{
				"\nThe apartment door opens.  You turn to
				look, ";
				
				! If billy is hanging around outside
				if billy.suspended = 2
					"expecting to see Billy standing
there--\n\n--but instead you're greeted by the snarling face of Stuart Fina.";
				else
					"startled, not knowing who it could
be.  Your question is answered pretty quickly, however--\n\n--by the snarling
face of Stuart Fina.";
				"  Stuart bursts in on you.  And he's got a
gun that he's pointing right at you.  Not everyday that happens.  It's
maybe worth pointing out just briefly that the guy with the gun is crazed.  A 
moment of surprising clarity ensues where it becomes very, very obvious to 
you how he could've killed Cindy Painter.  He swings the gun around--still 
pointing it at you most of the time, of course--talking loudly about how he's 
going to put a goddamned bullet in you.  He backpedals you into--"
				MovePlayer(kitchen)
				obstacle = stuart
			}	

			else				! kitchen
			{
				! If billy is hanging around outside
				if billy.suspended = 2
					"\nYou hear a noise from the living
room, the front door opening and closing, and poke your head around the 
corner expecting to see Billy.  But who you see is--\n\n--Stuart Fina.";
				else
					"\nYou hear a noise from the living
room:  the front door opening and closing, which is understandably enough
to freak you out.  You peek around the corner, coming face to face
with--\n\n--Stuart Fina.";
				"  And he's pointing a gun right at you.  \
He backpedals you back into the kitchen, waving the gun, muttering about how 
he's going to kill you right now, real dead."
			}
			
			"\nStuart shakes his head.  \"You know,\" he says, 
\"you're a real moron.  What, do you think you're some kind of bigshot 
detective?  Hot on the trail of a murderer?  \II'm\i not a murderer, you 
moron.\"  He thinks about that for the briefest second.  \"Well, maybe I
did kill her, but I didn't \Iplan\i to.  And then I come here looking for
that stupid note I gave her with the pictures, and who do I find...?\""

			++self.misc
			return
		}
		case 1
		{
			"\nStuart wags the gun at you like he can't decide
whether to shoot you with it, crack you on the skull with it, or just throw 
it down and walk away in disgust.  \"\ICindy Painter\i was the loose 
cannon.  \IShe\i was supposed to kill that stupid musician!  That kinda sick 
publicity is about the only thing that would've made anybody see \IHugs and 
Kisses\i--it was testing like a bowel movement.  I thought once I slipped 
her those photos, she'd flip right the hell out and waste him!  How the hell 
was I supposed to know she actually loved that idiot?  Or something.  Jesus, 
people piss me off.\""
			++self.misc
			return
		}
		case 2
		{
			"\n\"Aw, screw it,\" Stuart says, raising the gun.  \
			His finger tightens on the trigger.  Say goodnight,
			Gracie.  You close your eyes.  And then--\n"
			
			! If billy is hanging around outside
			if billy.suspended = 2
			{
				"--\ICrash.\i  When you open your eyes, it's
Billy standing there, not Stuart.  Billy is holding half a broken terra-cotta
flowerpot.  The other half of the flowerpot is scattered on and around 
Stuart's head--Stuart, who is now lying on the kitchen floor, is sort of 
moaning lamely but other than that he's not much of a threat.  Billy looks at
what's left of the pot:  \"Oh, man, I trashed somebody's flowerpot.\""
				"\nAfter you manage to pull yourself together
and convince your legs to stop shaking, you call the police and wait for them
to arrive.  Jake Duffy shows up first.  (You give up on trying to understand
his apparent omniscience--either he's got a direct line to God or the police
dispatcher or he's got nothing better to do than hang around you all day
waiting for something to happen.)  Jake looks at Stuart, who is still lying
on the floor, just now barely regaining consciousness.  \"So you bagged the
murderer?\" Jake asks.  \"Nice going.\"  And then the police arrive to cart
Stuart Fina off to the hoosegow."

				MovePlayer(policestation)
				
				"\nMilt Walker meets you at the police
station where you're giving your statement.  He thanks you, gravely, yet
glad to have it all over with.  Then, more importantly he pays you.\n\nYou
leave the police station with a renewed sense of hope, that even just a
little of the wrong in the world has been made right thanks to you, and with
renewed financial means you'll soon be moving out of the Pelican Hotel to
which you now return.  But maybe a quick stop at the ponies first..."
				
				PlayMusic(MUSIC1, "gbtheme")
				
				endflag = 1	! "You've won the game"
			}
			else
			{
				"Bang."
				endflag = 2	! dead
			}
		}
	}
}

!----------------------------------------------------------------------------
! Anne, the side building's receptionist, whose main purpose is to get
! Stuart into the reception area:

female_character anne "Anne"	! 'special' once she's called Stuart once
{
	in reception
	nouns "anne", "receptionist", "secretary"
	long_desc
		"Anne is young, maybe twenty-one, and got this job either on
		some kind of summer-intern program or because she's someone's
		niece.  Either way, she looks cheerful enough with life, but
		not exceptionally thrilled to be here in particular.  I'm sure 
		she does her job without major complaint--I just wouldn't 
		expect her to jump at the chance to make friends with you or 
		anything."
	graphic IMAGES1, "anne"
	initial_desc
	{
		"The building's receptionist is sitting at her desk.  Her
		nameplate says her name is Anne."
		self is moved
	}
	short_desc
		"Anne, the building's receptionist, is sitting at her desk."
	order_response
	{
		if verbroutine = &DoSwear
			Perform(&DoKiss, self)
		else
			return false
	}
	before
	{
		object DoKiss, DoTouch, DoGet
			{"\"Get away from me, you pervert.\""}
	}
	after
	{
		object DoAsk
		{
			select xobject
			case cindy, murder
				"\"I think it's horrible what happened to
her!  I was so upset when I heard--I didn't know her, though.\"  Anne looks
at you.  \"What do you have to do with it?  Is that why you're here?\""

			case stuart
			{
				if stuart in location
					"Anne looks at you.  Looks at Stuart.  \
					Looks at you.  \"He's right here,\" she
					says."
				elseif stuart not in stuartsoffice
					"\"He's gone out,\" Anne says.  \"He 
					said he might be gone for the day.\""
				elseif stuart_arriving is active
					"\"I just called him for you.\"  She
seems a little annoyed with your impatience.  \"You're welcome to have a
seat.\""
				elseif stuart_getting_evidence is active
					"\"He said he had to go into a 
					meeting,\" Anne tells you, shrugging."
				else
				{
					if self is not special
						"\"Who shall I say is here?\" 
Anne asks, looking you up and down.  \"Um...forget it.  I'll just buzz 
him.\"  She punches a couple of buttons on her phone and speaks very briefly 
into it before hanging up."
					else
						"\"Again?  Okay,\" she says,
						and calls Stuart Fina in
						his office."
					self is special
					Activate(stuart_arriving, 5)
				}
			}
			
			case milt
				"\"He's not in this building.  He's in the main
				building.\""
				
			case holly
				"\"She's a movie star--I see lots of them
				around here.\""
				
#ifset INCLUDE_OTHER_CHARACTERS
			case johnny
				"\"Well, some people don't like him, but I 
sure do.  There's just...\Isomething\i about him,\" Anne says.  \"Why, do you
know him?  Can you introduce me?\""
#endif
				
			case else
				"Anne looks at you in a way that says, hey, 
				I'm just the receptionist--I'm not bothering
				\Iyou\i, am I?"
		}
	}
}